Mª Pilar Guerra-Arias Crafts

Knitting, recipes and all sorts of handmade stuff

July 21, 2011
by mpguerra
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Pajama Pants: Part 1

I’m going to be going to India very soon and I have heard that it is best for women to dress conservatively, which means no showing your legs and therefore no shorts.

Since it’s probably going to be quite warm, I’ve been on the look out for long, loose long trousers to cope with the heat. But then I thought, why not try to make my own? This should be quite easy as there is no fitting required with loose trousers and these pajama pants over at WkndDesigner are just perfect for the job. Now, when I was in Borneo I bought quite a few sarongs, which I’d been stockpiling for a time when I get better at sewing and can make some dresses/skirts out of them. However, I decided to sacrifice one of them for this project.

This was the main sarong I used to protect my modesty whilst bathing in rivers and getting changed in a room full of people. It’s by a company called Pokok Kelapa, which means Coconut Tree in Malay. They have lots of beautiful designs. I decided to take some photos before I “destroyed” it:

Pokok_Kelapa_Sarong_7946_4 Pokok_Kelapa_Sarong_7946_1
Pokok_Kelapa_Sarong_7946_2 Pokok_Kelapa_Sarong_7946_3

Now, I decided to actually make a paper pattern for this as I have a feeling I’ll be making more than one set of pants if this turns out ok. Also, it was incredibly difficult to make out the chalk outline on the fabric AND the fabric was surprisingly difficult to work with. It seems to be some sort of woven cotton, but it’s very light and hard to keep in place. I also decided to cut the fabric with the pattern still attached for extra stability. It probably wasn’t a great idea in some respects, but it got the fabric cut quite well.

For the pattern, I decided to make 1 half leg and 1 half crotch and cutting the fabric whilst folded. This worked quite well for one of the crotch pieces as it means it won’t need seaming. I was actually a bit confused about seam allowances in the pattern, since there are some for the hems, but none for everywhere else. In hindsight I probably should have cut the fabric with a seam allowance, but I was a bit short on fabric. Now I’m worried they won’t fit…

IMG_8277

Coming up: Part 2 – Basting and sewing up

 

 

 

 

 

July 19, 2011
by mpguerra
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Some more Fabric Shopping

I was in the neighbourhood last weekend and could not resist quickly popping in to Ribes y Casals for a longer look at their sale. Bad idea…

11 metres of fabric and 54.45€  lighter, I came away with 10 metres of silk chiffon (5m of each fabric:)

IMG_8267 IMG_8266

I’m thinking of making some gorgeously light and floaty floor length dresses out of these. I want to keep them feather light, so I don’t really want to line it with something heavy (if at all…) I reckon 2 layers will just about cover my modesty, 3 layers if I want to be less saucy. I’m thinking maybe this halter dress from Weekend Designer for the pink fabric. Not that anyone out there reads this blog, but got any pattern suggestions?

And then I got 1 metre of this simple purple upholstery fabric for replacement chair covers:

IMG_8269

Should keep me busy for a while anyway.

 

 

July 14, 2011
by mpguerra
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Introduction to Pattern Making: Day 4 – Tacking, Fitting and Sewing Up

Another class of mostly doing.

First off: Tacking the skirt ready for first fitting. The idea here is that you sew up the sides of the skirt together, good sides facing each other. On one side, you sew up all the way from top to bottom, but on the other side, you need to leave about 10cm – 15cm at the top for the zip (and to get in and out when you’re trying it on…)

Once that’s done, you go try your skirt on. If it fits (as was the case with me) you can sew it up. Otherwise:

  • If it’s too big:
    1. You need to use pins to make the skirt fit better
    2. Using those pins as a guideline, sew a new line of tacking along the pins.
    3. Try on again
  • If it’s too small:
    1. You need to unpick the tacking and re-tack so that it fits.
    2. Try on again
    3. Repeat if necessary
You’re now ready to sew up!

July 14, 2011
by mpguerra
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Introduction to Pattern Making: Day 3 – Cutting and Finishes

The class this Monday was a bit less teaching and a lot more doing as we pinned our patterns to our fabric, ready for marking out on to the fabric and cutting.

Since our patterns don’t already have a seam allowance, we have to draw that around afterwards. This is the process for getting your material ready for sewing:

  1. Pin the pattern to the fabric, making sure that the pattern is in the same direction as the the fabric thread. Since we just have half a pattern for the front and back, you need to fold the fabric in half and align the pattern edge with the fold. You will pin the pattern through both layers of fabric.
  2. Using the chalk, draw around the pattern.
  3. Draw the following seam allowance lines around the pattern:
    • Bottom seam: 4cm
    • Side: 2cm
    • Top: 1cm
  4. Cut! (along the seam allowance lines)

You now have half a skirt, folded in half. Since you have only drawn out the pattern on one half of the fabric, you need some way to transfer the markings onto the folded over bit. For this you use a tailor’s tack, which is essentially leaving a loop of thread between stitches, instead of pulling the thread tight to the fabric. You then open up the two tacked sides, cut through the stitches between and use the stitches left on the non-marked side as your pattern markings.

The other thing we learnt was the different finishes for the skirt:
  1. Bias tape – can be used on top or bottom of skirt.
  2. Grosgrain tape – can be used as a waistband facing
  3. Waistband Facings – made from same material as skirt plus some interfacing. (Btw: I found this great article on interfacing.) You essentially use your skirt pattern to draw up a pattern for the facing which is just a think strip from the top of the skirt. You then cut it up and
And that was it for Monday, more on Wednesday!

July 13, 2011
by mpguerra
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Introduction to Pattern Making: Day 2 – Transformations on Basic Skirt Pattern

So, we have our basic straight skirt pattern, made to our dimensions, but that doesn’t necessarily make for a very pretty skirt. What you can do, however, is to transform it into another skirt pattern. The easiest transformation is the A-line skirt:

A-line Skirt

For the A-line skirt, both the front and back patterns are going to be the same. However, since we have different dart sizes on the front and back, we have to calculate the mean dart width or intake (G in the diagram below).

G = (dart width from back + dart width from front) / 2

Essentially what we are trying to do is close up the dart at the top. So what you do is:

  1. You take a copy of your basic skirt pattern (you can probably just trace around it)
  2. Re-draw dart with new intake measurement.
  3. Cut a straight line from dart apex down to the bottom of the pattern
  4. You are now left with a rectangle and the other shape.
  5. To close dart you join both sides of the dart together as per the diagram
  6. Close up left over triangle.
Some people placed their 2 pieces of pattern on to paper and stuck them directly, however, I thought it might be interesting to have the triangle in a different fabric, so I chose to just trace the triangle onto a separate pattern piece so I have 2 pattern pieces (or 3 if you don’t stick together the 2 you had previously.)
From the A-line skirt you can make quite a few other transformations.

A-Line skirt Transformations

Yoke Skirt

You might want to have a different fabric on the top. In this case you just make a copy of the A-line pattern and you cut a section off the top in a curved line. The width of the yoke section varies with individual preference.

 

Skirt with a border

Equally, you might want to have a different fabric on the bottom. In which case you make a copy of the A-line pattern and you cut off the bottom in a similar way as you did for the yoke:

 

Basic Straight Skirt Transformations

The following transformations are derived from the original straight skirt pattern.

Yoke Skirt with Gathered Bottom

For this you simply make a pattern for the yoke by cutting off the width of yoke you’d like from the straight skirt pattern, and joining up the dart. Then, for the gathered bottom, you need a rectangular piece of fabric which is the original straight skirt width (A) plus 1/2A once again (e.g if A was 20 then your rectangle would be 20 + 10 = 30cm wide)

Tiered, Gathered Skirt

This is the same principle as the yoked skirt with the gathered bottom again, only you increase the rectangle size by a half for each tier you have.

Pencil Skirt

For the pencil skirt, you need to take off approximately 2cm from the sides of the skirt below the hip. In order to do that, you draw a line 2cm in from the side at the bottom of the skirt to the new hip line. You then cut off the excess triangle as per the diagram below.

Box Pleat Skirt

For the pleats in the box pleat skirt, you need to take the original pattern, cut it in two along the dart apex and redraw adding extra width for the cloth. You must keep the dart location, depth and angle in order to then make the pleat by sewing up the dart as shown below. The extra width in the pattern should be 2xdesired pleat width.

NB: Please note that diagrams are not proportional or to scale, they are simply to illustrate the principle of how you transform from one pattern to another

July 8, 2011
by mpguerra
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Crafty Shopping: Ribes y Casals and Merceria Santa Ana

So, we were told to bring some fabric, scissors, chalk, needles, thread, etc… to our next class which meant a shopping trip to Ribes y Casals for fabric and Merceria Santa Ana for the miscellaneous sewing materials. I’ll just write a bit about both those trips since it was the first time I’d been to either of those places.

First off: Ribes y Casals. I love this place, a huge space with bolts and bolts of fabric, an “outlet” space in the basement and a sale on! I didn’t have much time so I just started looking in the first table which was patterned cotton. Straightaway I found at least 2 fabrics I loved, now how do I get me some of this fabric?

I tried asking some random woman that worked there and apparently you have to go into the middle “column” (there is no actual column) of the shop and there’s a man there who tells you where you are in the queue and then someone will come over to help you when it’s your turn. Luckily I was the first and I didn’t have to wait long.

You then take them to the fabric you want and they cut it for you. They also let you know what the washing instructions are for the fabric and if there is likely to be any shrinkage when you wash it. They then take you to the counter where you pay. Easy!

Fabric 1 - Love this one Fabric 2 - Trying out something a bit different

I then walked over to Portal del Angel for Merceria Santa Ana which had a horrendous queue. Now the trick with this place is that there are 3 counters and you go queue at the counter where they have what you need.

Unfortunately I had to queue at counter 1 which was the longest queue and unsurprisingly is where they have most of the stuff anyway. You tell them what you want, they go bring it to you and write it down on an order sheet. Once you have everything you take the order sheet over to the till where you pay and then they either bring you what you’ve just bought or you have to go collect it from the person that got it all for you.

My purchases at Merceria Santa Ana

Next up: The actual class.

July 7, 2011
by mpguerra
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Introduction to Pattern Making: Day 1

July is turning out to be a very crafty month. On Monday I started the first of a set of classes on pattern making that are being ran at Golferichs centre cívic here in Barcelona.

Since Ivan got me a sewing machine for my last birthday I’d been looking for a chance to use it properly. So far all I’ve done with it is hem the curtains and found it difficult enough to get a straight (parallel) line. I was very disappointed I had missed out on the previous term of classes, when I was planning to do both a learning to sew and the pattern making class. So when the July intensive course list came up I signed up for the pattern making straightaway. Unfortunately they didn’t have the sewing one available but I’m hoping to pick up some skills during this course and complete the rest when the autumn timetable comes out.

For those of us not familiar, pattern making is the process of drawing up a template to use when cutting cloth to make garments.

The teacher explained to us that there were many methods of making up clothing patterns and she was going to teach us the Camps method, which is an industrial pattern making method developed by Jordi Camps. This is only a theory and what we are trying to do is to turn a volume (our body) into a surface area. Everyone has a different shape, and so the instructions may not work for everyone, but the idea is to get a starting pattern which we can then modify to our own bodies.

Anyway, we are going to start off with a very simple (somewhat ugly) straight skirt and see where we go from there. In order to make our own personalised patterns we had to take our measurements. We did this in pairs to make it easier. For the skirt you need the following measurements:

  • Waist – this is measured at the narrowest point where your body goes in from your hips (if that makes sense…)
  • Hips – this is measured at the widest point and around the fullest part of your buttocks
  • Distance from Waist to Floor (or Knee depending on preference, in any case, you can always make pattern longer or shorter)
And the following calculations:
  • MM (which stands for Modul Malucs in Catalan or Hip Module) – which is the hip measurement / 10
  • Dm – Difference between Hip and Waist measurements / 10
Once we had the measurements, we had a set of instructions to follow in order to draw up the pattern, using the measurements we had taken and various calculations on those measurements. For that we use a ruler and a set square (to make sure our angles are right angles and our lines are straight.) We drew up 2 patterns; 1 for the front and one for the back:
Once the pattern is drawn up, you have to double check the hip and waist  measurements you have for the skirt. You do this as follows:
  • (A + B ) x 2 ≈ Hip measurement
  • (C + D + E + F) x 2 ≈ Waist measurement
You then have to make the following annotations on the pattern:
  • Pattern Name (Front/Back)
  • Lomo – I don’t know the english for this but it’s where you fold the cloth to make the whole front/back piece
  • Hilo – I don’t know the english for this either, but it’s for cloth with nap to show which direction to place the pattern on the cloth
And that was that for the class. Next time we’ll be cutting our skirt. Can’t wait!

July 4, 2011
by mpguerra
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Perfume Making at Homemade London

We were looking for ideas as to what to do for Easlyn’s hen and after looking at all the sorts of activities on offer, we decided that as she likes her perfumes so much, we should try to do a perfume making workshop.

Now I did a bit of searching online on all the usual hen party websites, but then stumbled across Homemade London. They do all sorts of crafts (most of which I’d love to go to if I still lived in London) but their perfume making workshop came highly recommended so I decided to get in touch as I like the fact that they are a small company and they looked like they were going to look after us well.

Fast forward to last saturday when we showed up to their cute premises on Seymour Place. We met Nicola, the owner and Tanya, our teacher and perfume mentor. The workshop at Homemade London is a natural perfume making worshop and therefore we would only use essential oils to craft our perfumes. These would then be added to an odourless coconut oil base and decanted in a 10ml roll on perfume bottle for us to take away.

The workshop started with a bit of a psychological quiz designed to discover our preferences: florals, exotics, woody, fresh… as well as a bit of a personality insight, which some did and didn’t agree with. My choices pretty much confirmed what I already knew, I like fresh/light perfumes.

We then moved on to the basics of perfumery: base, middle and top notes. Top notes are the first “notes” you smell, and will usually not last very long. You then have the middle notes which give the perfume its body and will last a couple of hours. Finally you have the base notes which give the perfume depth and may only reveal themselves after a few hours from application. Essential oils can be categorised into these three notes (although some maybe in more than one “category”)

Once that was clear we moved on to smelling the different oils to get an idea of what “colours” we had to work with. For this Tanya infused several paper tester sticks with each of the various oils she had brought along and passed them round so we could smell, decide if we liked it and try to guess what it was. Since I already have some essential oils from my soap making, I made some notes in case I ever try this again:

Top Notes – 5 – 30% of a blend

  • Bitter orange – I quite liked this one, but wasn’t one of my favourites
  • Sweet orange – similar to the bitter orange, but sweeter and flatter. I preferred the bitter orange to this one
  • Mandarin – similar to the sweet orange, but even sweeter. I quite liked this again, but thought it was too sweet for me.
  • Pink Grapefruit – one of my favourite top notes. Light, sweet, fresh, very well balanced for my taste.
  • Bergamot – another favourite top note. Lemony, orangey and grapefruity all at once. Lovely and fresh.
  • Petitgrain – didn’t really like this. Was citrusy but very green and I found it quite a masculine smell. Apparently it’s made from the twigs of the orange tree
  • Black pepper – I liked this one. It apparently goes well with bitter orange. Spicy (obviously) and warm
  • Neroli (orange blossom) – didn’t like this one too much. Again, found it quite green.
  • Cardamom – my final favourite. Warm, sweet, spicy and exotic. Apparently goes well with bitter orange (for a chocolatey smell) or bergamot. But not grapefruit.

Middle Notes 50 -80% of a blend

  • Geranium (Bourbon) – I thought I would really hate this one, but actually was not too bad.
  • Ylang Ylang – One of my favourite middle notes. Jasmine like smell, very sweet and floral. One of Tanya’s tips was to melt some cocoa butter and add some drops of this to make a lovely moisturiser or even hair conditioning treatment
  • Lavender (High Altitude) – Predictably, I didn’t really like this one. Apparently it’s good for headaches in aromatherapy though.
  • Cardamom –  can also be a middle note
  • Rose (Bulgarian) – I wasn’t sure about this one. It smelt very strong and concentrated.
  • Jasmine – another favourite. Goes well with Orange and Black Pepper
  • Neroli – can also be a middle note
  • Black Pepper – can also be a middle note
  • Clary Sage – Wasn’t sure about this one. Quite green and woody.

Base Notes 5 – 25% of a blend

  • Patchouli – This was an interesting one. Rich, damp mushroomy smells with a hint of mint. Strangely good
  • Benzoin – I like this one. The “poor person’s” vanilla. Creamy, sweet smell. A favourite
  • Frankincense – I was unsure about this one. Oriental and smokey undertones.
  • Vetiver – I really didn’t like this one. Very earthy, smokey and green.
  • Cedarwood (Hymalayan) – Another favourite. Fresh, warm and dry.
  • Jasmine – can also be a base note.
  • Rose – can also be a base note.

The interesting thing about these is how they change when put together. There may be an essential oil that you don’t like the smell of, however, when blended alongside something else it changes altogether. You can get a good impression of how the different oils blend together by wafting the various sticks together under your nose and that way you don’t waste lots of essential oil on experiments that end up being thrown away.

Some of the blends I thought of of Tanya suggested are listed below, in case you or I want to try them in the future:

  • Bitter Orange + Cardamom + Ylang ylang + [grapefruit(?) | benzoin|patchouli(?)|clary sage(?)
  • Cardamom + [Bitter Orange|Bergamot]
  • Clary Sage + Ylang ylang
  • Rose + Cardamom + Orange
  • Frankincense + Bergamot + Pink Grapefruit
  • Cedarwood + [Frankincense|Cardamom]
  • Benzoin + Vetiver + Cedarwood

And finally what I ended up going with. I made both a day and an evening perfume:

Daytime

Base

  • Benzoin x 3 drops

Middle

  • Ylang ylang x 2 drops

Top

  • Bitter Orange x 2 drops
  • Cardamom x 2 drops
  • Grapefruit x 3 drops

Blended in 10ml odorless coconut oil.

Evening

Base

  • Cedarwood x 5 drops
  • Benzoin x 2 drops
  • Vetiver x 1 drop

Middle

  • Jasmine x 8 drops
  • Black Pepper x 1 drop

Top

  • Cardamom x 2 drops
  • Bergamot x 3 drops

Blended in 10ml odorless coconut oil.

Finally, I leave you with the best blend of the day by far:

Daniella’s Daytime Blend

Base

  • Cedarwood x 2 drops
  • Benzoin x 9 drops
  • Patchouli x 1 drop

Middle

  • Jasmine x 5 drops
  • Ylang ylang x 1 drop
  • Lavender x 1 drop

Top

  • Bergamot x 5 drops
  • Mandarin x 1 drop

Blended with 10ml odorless coconut oil.

June 16, 2011
by mpguerra
1 Comment

My second soap

The second soap I made was intended as a more all round hand/body soap. Ivan gets eczema sometimes and I wanted him to have something that could maybe help with that and would be a bit kinder to his skin. Also,  I still had a lot of the herbal facial steam infusion left and I didn’t want it to go to waste.

Ingredients:

  • 395g Olive oil
  • 395g Sweet Almond oil
  • 395g Coconut oil
  • 135g Wheatgerm oil
  • 188g Lye
  • 485g dystilled water infusion

Plus:

  • Benzoin essential oil
  • Melissa essential oil
  • Peppermint essential oil

about 20g(!) of each added at trace.

This was superfatted at 5% and cured for 6 weeks.

These quantities will fill a 3000 cm3 mould.

The soap makes a much nicer lather than my face soap, probably due to the higher coconut oil content.

My second soap

Disclaimer: Whilst this recipe worked for me I cannot vouch for the safety of using a soap made using these quantities. Please double check all quantities first using a soap calculator if you plan to reproduce!

June 16, 2011
by mpguerra
0 comments

My first soap

I made this a while ago, but I thought it’d be good to post the recipe here for posterity.

I was on medication for my acne and my normal facial soap was irritating my skin so I decided to make my own using natural ingredients. The idea was to make something that did not dry my skin out too much and could potentially help with my acne scarring.

Ingredients:

  • 40g Cocoa butter
  • 90g Coconut Oil
  • 180g Olive Oil
  • 55g Shea butter
  • 52g Lye
  • 122g infusion made with dystilled water and this herbal steam from mountain rose herbs (I hate to throw anything good away!) but you can just use dystilled water

Plus:

  • 15g Rosehip Oil
  • Tea tree essential oil
  • Palmarosa essential oil
  • Benzoin essential oil

added at trace.

I seem to remember the soap was superfatted at 5%

These quantities will fill a 600 cm3 mould.

I will not go into the ins and outs of how to make soap here, there are many much better resources online already. Google is your friend.

I cured it for about 6 weeks and have been using it ever since. My skin felt quite soft after using it but I’m not sure it has helped with the scarring at all. It doesn’t lather too well, but I didn’t want to overdo it with the coconut oil as I didn’t want the soap to be too drying.

 

My first soap

 

Disclaimer: Whilst this recipe worked for me I cannot vouch for the safety of using a soap made using these quantities. Please double check all quantities first using a soap calculator if you plan to reproduce!